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Sunday, March 16, 2014
Sidewalls (Medianeras)
The Imposter
This can be perhaps one of the best documentaries created in
the past few years. It is a perfect example of a true life plot twist. Follow a
series of interviews with Frenchman imposter Frédéric Bourdin as he tells his story of
impersonating 16-year-old Nicholas
Barclay. The film covers the supposed return of Barclay after his three
year disappearance. The Barclay family welcomes veteran-trickster, Frédéric as their son regardless of his
different eye color, immense age difference, and French accent. Very smoothly,
the film takes the viewer through the steps and journey of an impersonator, gaining more than they bargained for. It is definitely a must see film; a documentary as full as suspense and substance as a star-packed action-thriller. The story
of an imposter is interesting enough on its own, but the truth behind the disappearance
of Nicholas Barclay may present itself as the main course.
Rubber (2010)
Hold on tight until the end, “Rubber” can perhaps be amongst
the most abstract, unconventional, irrational and oddly entertaining films to
be created. Director and screenplay writer Quentin Dupieux does a fantastic job
at showering life to a complete inanimate object. Experiencing sentiment
towards a tire is the last thing an audience member will expect. Although the
screenplay is flawed, with a storyline that gets choppy and uncomfortably long,
the film delivers. Its witty, absurd plot and characters make it a watch
worthy horror-comedy. Laugh, cringe, ponder, watch the movie watching
experience and answer the biggest questions of all; does a movie continue if nobody’s
watching?
Dallas Buyers Club
Alright, alright, alright; Matthew McConaughey sheds the muscles to make room for
something much grander, the performance of a lifetime. Independent film and Oscar
Nominated “Dallas Buyers Club” did the impossible with its minimal budget of
$5 million, depicting the life of real AIDS diagnosed, rodeo cowboy Ron Woodroof.
Unsatisfied with his prognosis and lack of options for survival, Woodroof took
matters into his own hands. Self medicating, and experimenting with drugs to ease
AIDS’ symptoms.
Cutie and the Boxer
Yet, the film is not simply about the
artistry of a painter’s life; Noriko Shinohara, a passionate painter forced to
live in her husband’s shadow, gets to voice her marital turmoil through her own
creations, “Cutie.” Escaping the bounds of her husband’s success, audience will
see the rise of a woman who has found her voice. The film hardly feels like a documentary,
but more like a journey through the Shinohara’s bumpy life. Entertaining to the
last drop, interesting and culturally stimulating, “Cutie and the Boxer,”
although not the winner of this year’s Academy Awards, it is easy to see the
reason for its nomination.
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