Melisa Borges is a third year Journalism Major at Florida International University and active contributor to D-Twn Miami Buzz; an independent blog based page written and administered by students of Miami Dade College - Wolfson Campus. Future plans of the author include to continue the pursue of a BA in Mass Communications-Journalism and one day follow a career path in Entertainment Journalism. Currently main reporting interest are coverage of major entertainment events and arts and culture.
Ditch the typical Romantic-Comedy formula and settle for whimsical
reality. The lives of Mariana (Pilar Lopez de Ayala) and Martin (Javier Drolas)
seem to be a perfect match; but with millions of people in a
city, a soul-mate may go unnoticed in a crowd. The film could present itself a
bit difficult to swallow for the active viewer. It follows a very text based patterns,
with the character’s internally voicing their every thought. It is a slow pace
with little to no action; it is as if the viewer was dropped in the middle of a
completely mundane everyday life of another. It is realistic, that is until its
very amusing ending. For the helpless
romantics and architecture fanatic, it will definitely be pleasing.
This can be perhaps one of the best documentaries created in
the past few years. It is a perfect example of a true life plot twist. Follow a
series of interviews with Frenchman imposter Frédéric Bourdin as he tells his story of
impersonating 16-year-old Nicholas
Barclay. The film covers the supposed return of Barclay after his three
year disappearance. The Barclay family welcomes veteran-trickster, Frédéric as their son regardless of his
different eye color, immense age difference, and French accent. Very smoothly,
the film takes the viewer through the steps and journey of an impersonator, gaining more than they bargained for. It is definitely a must see film; a documentary as full as suspense and substance as a star-packed action-thriller. The story
of an imposter is interesting enough on its own, but the truth behind the disappearance
of Nicholas Barclay may present itself as the main course.
Hold on tight until the end, “Rubber” can perhaps be amongst
the most abstract, unconventional, irrational and oddly entertaining films to
be created. Director and screenplay writer Quentin Dupieux does a fantastic job
at showering life to a complete inanimate object. Experiencing sentiment
towards a tire is the last thing an audience member will expect. Although the
screenplay is flawed, with a storyline that gets choppy and uncomfortably long,
the film delivers. Its witty, absurd plot and characters make it a watch
worthy horror-comedy. Laugh, cringe, ponder, watch the movie watching
experience and answer the biggest questions of all; does a movie continue if nobody’s
watching?
Alright, alright, alright; Matthew McConaughey sheds the muscles to make room for
something much grander, the performance of a lifetime. Independent film and Oscar
Nominated “Dallas Buyers Club” did the impossible with its minimal budget of
$5 million, depicting the life of real AIDS diagnosed, rodeo cowboy Ron Woodroof.
Unsatisfied with his prognosis and lack of options for survival, Woodroof took
matters into his own hands. Self medicating, and experimenting with drugs to ease
AIDS’ symptoms.
Woodroof starts the Dallas Buyers Club, by smuggling the drugs under the FDA’s noses and selling it to desperate patients. Although the film is entertaining to see and full of witty comedy, it is prompt yo remind the public that is mainly about a deadly disease and its patients. Stubborn, macho, Ron Woodrrom (Mettew McConaughey) shows his drive to live in a strange manner. Abusing alcohol and drugs, while medicating for the illness the audience may question the authority a man like this has to tell others about medical treatment. Easing the tension, his trusty business partner, Rayon (Jared Letto), is the life of the film and the most heartbreaking part. Audience will shed a tear for both these Oscar winning actors.
Oscar Nominated
documentary “Cutie and the Boxer” is not simply for the art aficionado, but for
anyone with a curious look into the hardships of love and marriage. Following
the life of well-known, 80-year-old boxing artist Ushio
Shinohara the film presents that fame is
not always followed by glamour. Through Ushio’s struggle to sell his abstract motion
paintings and obscure sculptures, audience get a front seat view into the
meaning of starving artist.
Yet, the film is not simply about the
artistry of a painter’s life; Noriko Shinohara, a passionate painter forced to
live in her husband’s shadow, gets to voice her marital turmoil through her own
creations, “Cutie.” Escaping the bounds of her husband’s success, audience will
see the rise of a woman who has found her voice. The film hardly feels like a documentary,
but more like a journey through the Shinohara’s bumpy life. Entertaining to the
last drop, interesting and culturally stimulating, “Cutie and the Boxer,”
although not the winner of this year’s Academy Awards, it is easy to see the
reason for its nomination.